Tags
afrofuturism anne danielsen aphex twin aristotle artist asca author betty davis biography bootsy collins claude lévi-strauss conceptual personae contingency cornel west counterfuture cultural history cv data downbeat economy engineer epistemology ferdinand de saussure franz kafka frequency friedrich kittler friedrich nietzsche félix guattari george clinton gilles deleuze hannah arendt henri lefebvre hip-hop humanism humanities information intellectual invisible man iteration jacques derrida jacques ranciere james brown knowledge kodwo eshun life literary theory louis armstrong marshall mcluhan martin heidegger marvin gaye mathematics me media metaphysics michel de certeau michel foucault multi-track music nature noise nonsense ol' dirty bastard operations parody peter szendy philosophy place pluralism prince producer quoting ralph ellison revolution rhythm roland barthes RZA science senses serendipity sirens space technology theodor w. adorno the one tracks typology vilém flusser walter benjamin what's going on wu-tang clan
Blogroll
RSS Links
Meta
about me
In the fall of 2008, he was a visiting professor at the English Department of the University of Minnesota.
In 2007 and 2008, Jan Hein was affiliated to the Jan van Eyck Academy in Maastricht as a postdoctoral researcher, where he worked on a project called Intellectual Image.
Before, he wrote his dissertation Time Tracks at the department of Philosophy of the University of Utrecht, and Media Theory and Cultural Studies at the Humboldt-University in Berlin.
[drain file 2 show]
Jan Hein has published on Prince, Marvin Gaye, Gilles Deleuze, Walter Benjamin, Franz Kafka, Friedrich Kittler, Ralph Ellison, Michel Foucault, and the Ol’ Dirty Bastard.
He is currently working on a research project called Medial Operations and a website with the same title, as well as co-editing a volume called Pluralizing Rhythm.