This is the first draft of my contribution to the volume Pluralizing Rhythm that I am currently editing with Birgitte Stougaard. All comments and suggestions are welcome! In this text I analyse James Brown’s concept of ‘The One’ (or downbeat) into popular music as a revolution. “Papa’s Got A Brand New Bag” — the song in which ‘The One’ was introduced — is not a revolution because it made any major alterations. On the contrary, it simply performed a minuscule shift. A change that cannot be seen, touched, smelled, or heard but is real nonetheless.
get on the good foot
This is the first draft of my contribution to the volume Pluralizing Rhythm that I am currently editing with Birgitte Stougaard. All comments and suggestions are welcome! In this text I analyse James Brown’s concept of ‘The One’ (or downbeat) into popular music as a revolution. “Papa’s Got A Brand New Bag” — the song in which ‘The One’ was introduced — is not a revolution because it made any major alterations. On the contrary, it simply performed a minuscule shift. A change that cannot be seen, touched, smelled, or heard but is real nonetheless.