Tag Archives: friedrich kittler

out of time

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rm6_invisible_lrg

Invis­i­ble Man, the title of Ralph Ellison’s sem­i­nal 1952 novel refers to the lack of opac­ity of its main pro­tag­o­nist. Rather than read­ing this book as the exem­plary story of a con­crete, sit­u­ated indi­vid­ual – an African-​American intel­lec­tual before and dur­ing the so-​called Harlem Renais­sance – this article-​in-​progress will con­cen­trate on the fig­ure of thought that this cen­tral char­ac­ter expresses.

down the drain

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down-the-drain-2-185x185

A pre­sen­ta­tion that I gave at the Ams­ter­dam School for Cul­tural Analy­sis on the 29th of April 2009 for the How To Do Cul­tural Analy­sis and Why (Not) lec­ture series orga­nized by Murat Aydemir.

new adventures in low-​fidelity

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amms__001507_0917-185x185

This essay makes a case for media-​epistemic plu­ral­ism, by stag­ing an encounter between Friedrich Kittler’s Gramo­phone, Film, Type­writer and Ralph Ellison’s auto­bi­o­graph­i­cal story ‘Liv­ing with Music’. It argues that a medium does not func­tion autonomously, but always forms a com­plex con­stel­la­tion with other media. This con­stel­la­tion takes shapes through the inter­ven­tions of the con­cep­tual per­sona of the engineer.

noise is the new meaning

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sinenoise1

A pre­sen­ta­tion that I gave on the 17th of Novem­ber 2008 at the Eng­lish Depart­ment of the Uni­ver­sity of Min­nesota in Min­neapo­lis for the eNow! lec­ture series orga­nized by Terri Sutton.

about me

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iphoto

Jan Hein Hoogstad is a lec­turer in Com­par­a­tive Lit­er­a­ture and Cul­tural Analy­sis at the Uni­ver­sity of Amsterdam.