Tag Archives: invisible man
new adventures in low-fidelity
This essay makes a case for media-epistemic pluralism, by staging an encounter between Friedrich Kittler's Gramophone, Film, Typewriter and Ralph Ellison's autobiographical story 'Living with Music'. It argues that a medium does not function autonomously, but always forms a complex constellation with other media. This constellation takes shapes through the interventions of the conceptual persona of the engineer.

out of time