Tag Archives: jacques derrida

a typology of iterations

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The cri­tique of lin­guis­tic pres­ence that Jacques Der­rida devel­ops in “Sig­na­ture Event Con­text” (1971) has become a com­mon place in con­tem­po­rary phi­los­o­phy and lit­er­ary the­ory. Often for­got­ten, how­ever – and not in the last place by the French philoso­pher him­self – is the fact that this essay does not just pro­claim the ‘death of meta­physics’ but also sug­gests a path for future philo­soph­i­cal research. “Sig­na­ture Event Con­text” ini­ti­ates a shift from signs and mean­ing them­selves to the acts, pro­ce­dures, and oper­a­tions that invoke them.

out of time

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Invis­i­ble Man, the title of Ralph Ellison’s sem­i­nal 1952 novel refers to the lack of opac­ity of its main pro­tag­o­nist. Rather than read­ing this book as the exem­plary story of a con­crete, sit­u­ated indi­vid­ual – an African-​American intel­lec­tual before and dur­ing the so-​called Harlem Renais­sance – this article-​in-​progress will con­cen­trate on the fig­ure of thought that this cen­tral char­ac­ter expresses.

about medial operations

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How do media – old and new – shape and trans­form knowl­edge? The research-​in-​progress web­site, Medial Oper­a­tions, focuses on the com­plex tran­si­tions between noise, non-​sense, infor­ma­tion, and knowledge.

about time tracks

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The mono­graph Time Tracks con­structs anachro­nis­tic and eclec­tic con­stel­la­tions of philo­soph­i­cal con­cepts, bio­graph­i­cal nar­ra­tives and pop­u­lar music. It stages unex­pected encoun­ters between Gilles Deleuze, Prince, Wal­ter Ben­jamin, Franz Kafka, Vilém Flusser, Mar­vin Gaye, Michel Fou­cault, Camille and Mar­shall McLuhan. What brings this wide range of philoso­phers, media the­o­rists, authors, and artists together is a shared con­cern; they all strug­gle with time.