Tag Archives: multi-track

a rather fortunate accident

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Gaye

Iron­i­cally, the results of mis­takes often end up to be far more inter­est­ing than those of hard work. Mar­vin Gaye’s 1970 hit “What’s Going On” serves as one of those mirac­u­lous exam­ples of serendip­ity. Dur­ing the record­ing ses­sions a rather for­tu­nate acci­dent occurred. The singer had recorded two alter­nate takes of the lead-​vocals that were one octave apart. When the artist asked the sound engi­neer on duty, Ken Sands, to play these two tracks for him, the tech­ni­cian unwit­tingly played them simul­ta­ne­ously in mono. The unin­tended result was a duet between the singer and himself

towards a new intellectual

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West - new

A paper on Cor­nel West’s “The Dilemma of the Black Intel­lec­tual” and Mar­vin Gaye’s Let’s Get It On that I pre­sented on the 25th of Octo­ber 2006 at Prince­ton Uni­ver­sity dur­ing the ACLA Annual Meet­ing: The Human and its Others.

about time tracks

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time-tracks-final-2pdf-page-115-of-211-185x185

The mono­graph Time Tracks con­structs anachro­nis­tic and eclec­tic con­stel­la­tions of philo­soph­i­cal con­cepts, bio­graph­i­cal nar­ra­tives and pop­u­lar music. It stages unex­pected encoun­ters between Gilles Deleuze, Prince, Wal­ter Ben­jamin, Franz Kafka, Vilém Flusser, Mar­vin Gaye, Michel Fou­cault, Camille and Mar­shall McLuhan. What brings this wide range of philoso­phers, media the­o­rists, authors, and artists together is a shared con­cern; they all strug­gle with time.