Category Archives: about

about medial operations

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How do media – old and new – shape and trans­form knowl­edge? The research-​in-​progress web­site, Medial Oper­a­tions, focuses on the com­plex tran­si­tions between noise, non-​sense, infor­ma­tion, and knowledge.

about ulysses lied

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This sem­i­nar focuses on Kittler’s lat­est and per­haps most ambi­tious project, Musik und Math­e­matik. This work aims to present a cul­tural his­tory of the West­ern world in four vol­umes, start­ing in ancient Greece, then pass­ing through Rome, the mid­dle ages and up to the present com­put­er­ized age. In the Fall of 2009, alter­nat­ing between loca­tions at Utrecht Uni­ver­sity and the Uni­ver­sity of Ams­ter­dam, orga­niz­ers Sander van Maas en Jan Hein Hoogstad invite schol­ars from all dis­ci­pli­nary back­grounds to join in the reading.

about pluralizing rhythm

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The vol­ume Plu­ral­iz­ing Rhythm aims to rid rhythm of its harm­less, nearly eso­teric, rep­u­ta­tion as a cos­mic uni­fier by under­stand­ing it in the light of the con­tem­po­rary medial turn. It con­sists of con­tri­bu­tions that com­bine the polit­i­cal, aes­thetic, musi­cal and the­o­ret­i­cal dimen­sion of rhythm, by per­form­ing a close analy­sis of text and objects from con­tem­po­rary arts, music and pol­i­tics. In short, Plu­ral­iz­ing Rhythm com­pli­cates, dis­turbs and plu­ral­izes the notion of rhythm.

about intellectual image

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In this research project, I con­ceive agency as an attribute of medial oper­a­tions rather than of indi­vid­u­als. Cer­tain com­bi­na­tions of oper­a­tions pro­duce an agent, which may or may not coin­cide with an actual per­son. Con­se­quently, I argue that the term “intel­lec­tual” invokes an out­dated prac­tice. Not the intel­lec­tual is an endan­gered species, but his text-​based and text-​biased medial oper­a­tions. As an alter­na­tive, I have looked at sound and music engi­neer­ing as a prac­tice of knowl­edge production.

about time tracks

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The mono­graph Time Tracks con­structs anachro­nis­tic and eclec­tic con­stel­la­tions of philo­soph­i­cal con­cepts, bio­graph­i­cal nar­ra­tives and pop­u­lar music. It stages unex­pected encoun­ters between Gilles Deleuze, Prince, Wal­ter Ben­jamin, Franz Kafka, Vilém Flusser, Mar­vin Gaye, Michel Fou­cault, Camille and Mar­shall McLuhan. What brings this wide range of philoso­phers, media the­o­rists, authors, and artists together is a shared con­cern; they all strug­gle with time.

about me

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Jan Hein Hoogstad is a lec­turer in Com­par­a­tive Lit­er­a­ture and Cul­tural Analy­sis at the Uni­ver­sity of Amsterdam.