Invisible Man, the title of Ralph Ellison’s seminal 1952 novel refers to the lack of opacity of its main protagonist. Rather than reading this book as the exemplary story of a concrete, situated individual – an African-American intellectual before and during the so-called Harlem Renaissance – this article-in-progress will concentrate on the figure of thought that this central character expresses.
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pluralizing the future
In “Further Considerations on Afrofuturism” (2003), Kodwo Eshun introduces the concept of ‘counterfuture’. He argues that this concept is a necessary, yet lacking counterpart to that of ‘countermemory’. The practice of countermemory aims to compensate for past violence and destruction by writing the stories of (oppressed) … Read More →