Category Archives: scribbles

pluralizing the future

Written by yeehaa. Filed under drafts, scribbles. Tagged , , . No comments.
Mothership 2
In “Fur­ther Con­sid­er­a­tions on Afro­fu­tur­ism” (2003), Kodwo Eshun intro­duces the con­cept of ‘coun­ter­future’. He argues that this con­cept is a nec­es­sary, yet lack­ing coun­ter­part to that of ‘coun­ter­mem­ory’. The prac­tice of coun­ter­mem­ory aims to com­pen­sate for past vio­lence and destruc­tion by writ­ing the sto­ries of (oppressed) minori­ties into main­stream accounts of his­tory. While Eshun sym­pa­thizes with [...]

philosophy or your life

Written by yeehaa. Filed under scribbles. Tagged , , , , , , . No comments.
heidegger-2
When one of his students dared to ask Martin Heidegger if he could tell him something about the life of Aristotle, Heidegger mockingly answered: ”Aristotle was born, he worked, he died.” This denial to acknowledge the relevance of biography for philosophy is ironic to say the least. There are hardly any philosophers whose works were as noticeably influenced by personal events as his own. Moreover, this rejection of biography is inconsistent with other aspects of his philosophy.

a rather fortunate accident

Written by yeehaa. Filed under scribbles. Tagged , , , , , , , , . No comments.
Gaye
Ironically, the results of mistakes often end up to be far more interesting than those of hard work. Marvin Gaye’s 1970 hit “What’s Going On” serves as one of those miraculous examples of serendipity. During the recording sessions a rather fortunate accident occurred. The singer had recorded two alternate takes of the lead-vocals that were one octave apart. When the artist asked the sound engineer on duty, Ken Sands, to play these two tracks for him, the technician unwittingly played them simultaneously in mono. The unintended result was a duet between the singer and himself

a typology of iterations

Written by yeehaa. Filed under scribbles. Tagged , , , , , , . No comments.
quotes-185x185
The critique of linguistic presence that Jacques Derrida develops in "Signature Event Context" (1971) has become a common place in contemporary philosophy and literary theory. Often forgotten, however – and not in the last place by the French philosopher himself – is the fact that this essay does not just proclaim the 'death of metaphysics' but also suggests a path for future philosophical research. "Signature Event Context" initiates a shift from signs and meaning themselves to the acts, procedures, and operations that invoke them.